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- Sure Target 2 After Effects Cc 2019
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The single-point tracker built into After Effects has long been a go-to tool for motion artists, but you need to be careful with single-point tracks because footage doesn’t normally shake in 2D space only. After Effects uses contrast to find track points, so you’ll need to make sure you set your tracker on a well-defined point. VideoCopilot Sure Target 2 Plugin for After Effects (Win/Mac) 1.2 MB Sure Target 2 is a plug-in for controlling the AE Camera Features Inertia, Auto-focus, Camera Roll and more! Sure Target 2 for After Effects from Video Copilot. 6 years ago 2 years ago. Plug-Ins, After Effects. Sure Target 2 for After Effects from Video Copilot. Sure Target 2 for After Effects from Video Copilot. Issue:. Your Name. This document describes the new and updated features in the After Effects CC (December 2013) release. Migrating your settings from a previous minor version of After Effects The General Preferences Migrate Previous Version Settings option in After Effects 12.2 enables you to migrate settings from. Wondering what version of AE you're on. I recently installed Sure Target for CS6 and it worked but was definitely a bit buggy. I wonder if Sure Target isn't compatible with CC. I remember I had to do some small work around to get it to work for CS6.unfortunately I can't remember what that was or where I found it.
Videohive Broadcast Design – Primetime News Open 152968 After Effects Projects Free
CC 2018, CC 2017, CC 2016, CC 2015, CC 2014, CC, CS6, CS5.5, CS5, CS4 | No Plugins | 1920×1080 | 920 Mb
Preview Project:
Features list:
After Effects CS4 project
7 Titles
5 Footage’s placeholders
This project uses “Sure Target 2” free plugin
Video tutorial
1920×1080 HD 25fps
Duration: 35sec
No 3rd party plugins
No pre-rendered files
There are two projects in the archive:
pre-rendered version (for those who don’t have Optical Flares plugin)
original project with editable effects
Notes:
Footage from the preview are not included, but if you like them, please visit http://www.stockfootageforfree.com/
VideoCopilot Optical flares plugin link: http://www.videocopilot.net/products/opticalflares/
VideoCopilot Sure Target 2 link: http://www.videocopilot.net/tutorials/sure_target_2/
Cycore plugins that comes bundled with the full version of After Effects must be installed
Download file:
Have you worked with Spherical Maps in After Effects?
If not, it’s a good place to learn how to. If you have, then just let us remind you how it’s done.
Note: Remember to watch the video tutorial in which Jeff, our Adobe certified instructor, explains the process.
Lets’ start!
When you’re working with environment you need to get a special kind of images. They’re called:
– Spherical Map,
– Light Probe (which is angular map)
– and Vertical Cross Images.
Notice that
they’re all large, large files.
If you just double-click on this Spherical Map image, you can see how big it is.
If I go to the Project Panel, and go to the Assets, and go to Spherical Map, you could see that it’s 3,000 by 1,500.
So it’s a big image.
And it’s been specifically made to be able to use it in a 3D space.
Let me just zoom out and zoom
press “Shift +/”
So it’s created such that you can move around in this place. It’s a panorama, essentially.
After Effects Academy Member Extra
Access your ‘Maneuvering a 3D Camera’ Course in the After Effects Academy.
Jeff Sengstack will show you how to work with an After Effects 3D Camera.
So you tell the effect (the CC Environment Effect) what kind of image you’ve got, which one of these three images you’ve got. Let me click on this solid layer for a second to show you that.
So you say, “What is it?”
It’s a spherical one as opposed to probe or vertical cross.
Notice that
You don’t apply the effect to the image.
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You apply the effect to the solid layer, that’s the size of your comp.
So the comp here is 640 x 40. I kept these guys pretty small so it would move quickly.
It’s a relatively small comp but the image is relatively much, much bigger obviously.
So you create a solid layer equal to the size of the comp.
And then you apply the effect to that, and then you say
what thing are we going to use inside the solid layer?
We’re going to use the spherical map on here, that’s how it’s going to work.
And then you can take a camera and move around the scene.
So the camera’s not built-in to the process.
Here’s the video tutorial:
You need to:
add the camera
and point it where you want to point it.
But as you point it, as you move it around, you can see down here with the camera, left-hand camera, that’s the camera right up there.
And as you move it around you can see that the camera has kind of panned left and because the environment connects to the camera, you can notice
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that the environment is not 3D
The text and the label things are in 3D space but the environment and the solid layer are not. They’re 2D.
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And this camera goes around and reacts to them as if they were 3D space, which is pretty amazing.
What next?
So tilt up now.
So it’s tilting straight up and still sees this environment because it’s a spherical environment.
And go back down to the right, my right anyways.
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And back to the beginning. Pretty remarkable.
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So that’s called environment.
Have anything to add to this post? Feel free to share your thoughts with us.